was largely recorded in my living room, and it was mixed in the control room next to my bedroom by my best friend. If you listen close enough, you can probably hear some hound howls, some creaky wooden floors, some trains running their routes. All that’s in there. Some big grins, too, and high fives. A few tears, but the good kind—the kind that let you know you’re doing something hard. Something good and right, even if it’s swallowed you up so deep you forget what you’re making. Some days I felt so small, like the lizard on the front porch. Even smaller, like the spider in the lizard’s sight. But I kept on. I left some holes, too. Asked some friends to help fill them with whatever they were feeling—from Ojai to Atlanta, Lisbon to L.A. It was a joint effort: the yellow roses, the red silo, the lamb, the dove, the wild dogs, the prickly pear.
I want this record to be, for you, whatever it needs to be. Over time, it’ll all change, come to mean something else. And that’s fine, too. Just know that it was born from a good shaking (thanks, Kathleen) and a little farmhouse at the end of a long, winding gravel road in the woods, where I gave in to the unknown, the written script, the blues, the joy—to the wild, wild world.